Wednesday, June 22, 2022
My ' Collab ' album w/ Mike Benoit is Out Now from the label Attenuation Circuit on a CD-R in Germany ( !! ) ( . . . ) . . .
Please check here : - https://emerge.bandcamp.com/album/time-kept-memories Plus a review about it follows below ; it's from Vital Weekly . . .
MIKE BENOIT & BOBAN RISTEVSKI - TIME KEPT MEMORIES (CDR by Attenuation Circuit)
Some introductions and some musicians whom I already know are what is on offer here with a trio of new releases by Attenuation Circuit. I started with the collaboration between Mike Benoit and Boban Ristevski, mainly based on the fact that I think much of the latter's recent work is very good. Mike Benoit is one of those introductions. He takes credit for "sound art & noise manipulation", which, frankly, isn't that 99% of the music reviewed in Vital Weekly? Ristevski plays "electronics", perhaps not much clearer? The seven pieces here have grim titles, about Chernobyl, the electric chair and the death of Marylin Monroe. The music is dark and atmospheric but not as ambient as some recent collaborations by Ristevski. It is more akin to a combination of moody electronics, which is the ambient side of the music but also laced with some ditto doomy loops of industrialised sound. More than some of that recent work, the music is perfect for any flick with a dystopian theme. The music sounds like nuclear rain, collapsed power plants, and melted Geiger teller residue. The survivors bang on a can to make contact with other survivors, but we're unsure if there are more as electrical currents buzz. Altogether an exciting departure for Ristevski from his recent work, and I am curious what the future will hold. (FdW) ––– Address: https://emerge.bandcamp.com/ - http://www.vitalweekly.net/1340.html
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